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| Killing the Beasts | ||
| Chapter
5 The metallic grey paint of the Audi TT reflected back with a liquid shine With the tiniest of creaks, the letterbox slowly opened and a second later, Next the man hung a square of felt-like material through the letterbox. The flap lowered, then opened again as a garden cane with a hook on the end was fed through the letterbox, the quivering length of wood extending out into the darkness like the tremulous tendril of a plant seeking sunlight. The hooked tip finally made it to the end of the table, but stopped short of the key ring itself. The man strained against the other side of the door, trying to increase the reach of his implement by a few millimetres. But it was no good. He drew the length of metal and flap of material back through the letterbox and the circle of light moved to the edge of the table, jumping suddenly to the far wall and briefly dazzling the man as the beam was reflected back by a mirror. The torch clicked off and the letterbox was lowered back down. The man walked back down the driveway, the forefinger of one gloved hand lightly tracing the length of the vehicle as he did so. Back in the car the driver looked at him. ‘Hey Sly, not like you to come back empty handed.’ Sly shot him a sour look. ‘I’ll get them next time,’ he murmured. They drove on towards Altrincham, coming off the M56 at junction 6, moving along Altrincham Road and ignoring the first houses they passed: the driveways were too long and the gates too high. Instead they headed towards the centre of the village, searching for houses that directly bordered the road with driveways only fractionally longer than the cars parked on them. Soon after passing the fire station they spotted a black BMW A5 parked outside a 1930s semi-detached house. The men glanced at each other and the driver pulled over in the first available space. Sly got out and returned to the house, automatically noting the absence of a burglar alarm. Seconds later the letterbox was pushed open and the torch shone through the gap. Immediately it revealed an art deco style lamp on a small shelf just inside the doorway. Holding up the globe shaped lampshade was a coppery green female nude, from the outstretched fingers of her free hand hung a set of car keys. ‘Bingo,’ he whispered, hanging his flap of thick material through the letterbox. Next he fed the garden cane through, angling the hook at the end upwards towards the lamp. Breathing in deeply, he made a mental effort to steady his hand then, focusing on the key ring itself, he expertly threaded the hook through it. Gripping the implement as tight as he could, he joggled the thin length of wood up and down until the keys were dislodged from the statue’s fingers. Their weight transferred to the hook and the cane bent slightly – but he was ready for that. He slid everything out, the keys brushing silently against the flap of soft material. He turned the torch off, placed it at his feet, then grasped the set of keys and slipped them off the end of the coat hanger. After extracting the flap of cloth, he turned his attention to his prize. On the fob was the photo of a young boy, the sort given to grandparents. The key to the BMW was obvious enough, as was the key to the front door itself. Thinking about the lamp in the hallway, he walked to the end of the drive and held up a thumb. The Ford’s engine started up and the car pulled quietly away. Knowing he wasn’t meant to take anything else from the houses, he returned to the front door and slid the key into the lock. The door opened with hardly a sound. Stepping into the hall, he looked at the collection of photos of the same young boy crowding the little windowsill to the side of the door. Definitely a grandparent’s house, he decided. Reaching round the back of the lamp, he found its cord with his fingers and traced it back to the plug in the wall. Just as he pulled it out he heard a footstep on the landing above. He froze, head bowed. A faint pull of breath came from the top of the stairs. Perhaps it was the absence of a male voice telling him to get out, but he somehow knew that it was a woman. All the advantage was his. She was up there, disoriented with sleep, in her night clothes, probably alone and without a phone. He pulled a Stanley knife from his coat pocket, held it against one of the photos He heard a sharper intake of breath and then a wavering voice said, ‘Leave this house immediately. I’m calling the police.’ From the dark hallway below her Sly leered, ‘And how will you do that Grandma? You won’t be able to speak if I come up there and kill you.’ She let out a gasp of fright and he heard bare feet running away from the top of the stairs. He climbed halfway up the stairs and announced in a menacingly low voice, ‘If this key doesn’t work for that Beemer out there, I’m coming back inside for you.’ Then, laughing to himself, he slid the blade back into the stubby handle and returned the knife to his pocket. After wrapping the cord round the figure, he walked calmly from the house, held the key fob towards the vehicle and pressed the button. The vehicle’s security system beeped as all the doors simultaneously unlocked. Minutes later he was driving back towards the motorway, heading towards the Russian’s garage on the industrial estate in Belle Vue. After dropping the car off, its registration plates would be changed and documents prepared for the agent to ship it out to the Russian’s contacts in Moscow. * * * * * * * home / next page >> / << Previous page
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